What is always striking
about Kallina's photographs, whether in Rome,
Paris, or Upstate NY, is the stillness created by
the lack of any human presence. At the same time,
the meticulously groomed gardens and lavish
interiors- however empty- indicate that these
spaces are not as abandoned as they appear. The
works in this way evoke a mysterious, wistful
presence, and a desire to collapse the distance
between past and present by physically tending to
history. "Olana"
the Hudson Valley home of painter Fredric Church,
is captured and conveyed in an a way that
increases the sense of intimate involvement .
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